This is a collaboration with Portland, Oregon based artist, Dylan J. Beck and LSU Professor of Psychology, Dr. Melissa Beck that utilizes research data, industrial production methods, and digital animation. Animations were created with data derived by Professor Beck where the eye movements of participants viewing Dylan Beck’s installation were recorded. The video and photographs below…
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I use the term Kinetic Drawing as a means of drawing a distinction between what is happening in these works versus work in linear and/or narrative animation. Unlike narrative work, it’s not important to view the works in their entirety or from beginning to end. The intention is to create a moving work that can…
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This series of work is an exploration of the phenomenological aspects of seeing and the construction of meaning in an image by a viewer. An image is more than what we see hanging on the wall in front of us. What we see is never without bias but always entangled with what we bring—consciously and…
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From semi-coherent blots, smudges and rants to well-deformed bodies, texts, objects and spaces, Adam Hinterlang and David Staniunas have maintained a drawing practice since 2008. They have developed a shared idiom to refine a back-porch consideration of class, masculinity, natural history, human geography, postcolonialism, punk rock and dub reggae. Deformation of the figure is one…
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